Sunday, August 14, 2016

The Boy and The Killing Jar


Am I an instigator
a provocateur
Do I stir the shit
Am I the Hero of my own Life
or am I the villain

What do I Remember

I remember
going to confession
as a 11 year old boy
I confessed to taking
the Lord’s name in vain

having impure thoughts
impure actions
and stealing

The Priest (we called him Tarzan)
asked me what I had stolen

.

At every Catholic grammar school
this one being Saint Hyacinth
word goes around
which priest is easy
at Confession

We all hoped for the familiar
“Three Our Fathers and 3 Hail Mary’s”

and we’d be pure again
(Baptism having absolved Original Sin)

The sin of our progenitor Adam

.

And this Fuck asks me
what I had stolen

“A shot, Father”
“A shot?”

What the hell was this...
My friends and I had shoplifted often
Usually Science-Fiction paperbacks
or Zim’s Field Guides
to the Natural Sciences

I had them all
Twelve as I recall

“A shot,” I repeated
“A shot?”

“A syringe,” I said
I felt his thoughts through the Gothic lattice
between us

Scenarios of a Dope Fiend
depraved and viral
flickered through his Blood of Christ head
like a ATF movie from the 30’s

“A glass syringe, Father
a shot. I took it from my doctor’s office
while I was getting dressed.”

And I had.

“I collect insects
butterflies
I use it for the Killing Jar
to put Formaldehyde in it”

It was true.
It would be six more years
and many sins later
that I first injected Heroin
into the pit of my arm

Syringe and a ‘killing jar’
impure thoughts and actions
god’s name into the vein

I sensed his excitement

Sex and Death
all in the same breath*

The priest told me to meet him
after school
in back of the Rectory

This alter-boy buggering Fool
thought he had encountered
an 11 year old junkie

He asked my name
which was never done
and I said, “Richard”

The apprehension of this juvenile delinquent
would make a great climax story
told in breathy whispers
into the ear of some orgasming nun

The Convent was kitty-corner
from the Rectory

It was July, 1960
and the annual Carnival
had just set up
its turbulent gear
in Saint Hyacinth’s concrete yard
on George Street.

The Confessional was a wooden enclosure
an ornate mahogany cabinet
Caligary or Calvary
with 3 cell like enclosures
Tarzan in the center
The penitents / all young kids
lined hugging the walls
on each side
nervously shuffling and waiting
to reveal their private lives
to a ‘celibate’ old man
who presumed he could Forgive
with the authority of god.

Death and Suffering permeated
that building proudly
festooned with agony and torture
in reliefs and painting and statues
depicting horribly mutilated human beings
and the Worship of the tattered Corpse
affixed to a fucking Cross.

Mea Culpa Mea Culpa Mea Maxima Culpa

“Bless me, Father
for I have sinned
This is my Last Confession.”

After I recited the Act of Contrition
He gave me
Three Our Fathers and three Hail Mary’s
as my Penance

(I have never recited those.
Prayer as a penalty
seemed Sacrilegious then
as it does now)

I waded into the Carnival
and bought a ticket to the Ferris Wheel
It churned from the pit to heaven
The nadir and the zenith of my life.



Thursday, August 4, 2016

Swan Lake


A perfect poem
would be a blank sheet of paper
fourteen lines long
fifteen with the title

It would contain
a splinter of horror
the birth of a nation
and the death of an infant
to appease the millennials

It would speak of love, longing
and “It is good - absence.”

A perfect poem
would be
a blank sheet of paper

Saturday, July 2, 2016

Event Horizon . II

The fear of tomorrow
of today and yesterday
When stores won’t sell you food
and you’re not the hunger artist
there is wisdom in concern
there is no wisdom in concern
and he listens to Alice Munro
and takes it personally
Fifteen minutes at a time





Monday, February 29, 2016

Nothing For You (A Tale of Two Towers)

When Vassals Can Build Castles

When you first enter
the church you think
of a whitewashed barn.

You see pastor Debbie
grinning a satisfied smile
eyes atwinkle behind her glasses.
she is behind a small synthesizer
she refers to as an organ

Her chubby husband
stands near her
holding a cheap acoustic guitar

his red hair thinning
and streaked with gray
his face permanently flushed red

Guitar picks litter the area
like Easter colored wafers 

As he picks his way through
Leaning on the Grace of the Lord
You don’t think of Eric Clapton


Thursday, February 11, 2016

The Blacksmith Shop


There were bellows
fastened by shipyard rope
controlled by a foot pedal

The fire was writhing . blazing

Held by tongs
a rail of iron
glowed red
made pliant for the anvil

Hammered into a horseshoe
then dropped in a bucket of water
It sizzled and steamed

And the horses
were hitched to a length of timber
tossing their manes

In the grass by the river
were plowshare and harrows
awaiting repair

Waves of heat
broke over my face
at the entrance

at my back
were white clouds and rain.



Czelaw Milosz (1911-2004)
Translated by Henry Kanabus


Monday, February 8, 2016

The Advent of Glass / GatherDead . Father

I remember The Days of The Death of My Father


My sister and I
were in Stanley Funeral Home
arranging for the burial
of our Father

I said:
           Why can’t he be buried
without the concrete encasement
The UnderTaker said it was a Health issue
and the law.

We picked out
a copper tinted casket.

He was buried at the Family area
family plot (I guess you could say)
at Saint Joseph’s Cemetery in Chicago

I remember
my eldest sister Theresa

glaring at my Mother
to make her feel guilty

But it was nobody’s fault

He had fought
with a virulent cancer
and died is all.

We ate somewhere
I don’t 
             remember that clearly.

He was dead
and life would
change a bit
and go on...

Sunday, February 7, 2016

The Message

I agree to this landscape
which might not exist.

The father is holding a violin.
Children are licking at the sound.

A cold wind
brushes a garden of petals.

Then the wars . We lose sight of one another.
Huddled in full sentences, words are in hiding.

An empty room
parked in the twilight
of an old apartment house.

Please leave a message,
says Jaina.

 
 
Reworked from NIKT

© 2003, Ewa Lipska
From: Ja
Publisher: Wydawnictwo Literackie, Krakow, 2003